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There's also evidence that the women of Ancient Egypt had tattoos, with experts speculating that they were carved into the skin so that the gods would protect their babies during pregnancy. The naturally mummified corpse dates back to Ancient Egypt's Predynastic period around 5,000 years ago, with the tattoos applied permanently under the skin using a carbon-based substance. The 'Gebelein Man', who has been on display in the British Museum for more than 100 years, has a tattoo of an interlocking sheep and bull on his arm. Other ancient corpses have revealed even more intricate designs. Ötzi had 61 tattoos across his body, with the tattoos (which were primarily sets of horizontal and vertical lines) thought to have had a therapeutic purpose akin to acupuncture – since they tended to be clustered around Ötzi's lower back and joints, areas where anthropologists say the Iceman was suffering from degenerative pains and aches. Lodder is referring to Ötzi, a European Tyrolean Iceman whose frozen body was preserved beneath an Alpine glacier along the Austrian-Italian border, before finally being discovered by a perplexed German couple 5,300 years later during their walking holiday in the Alps. Conversely, though, he adds, 'we also have to remember there's physical evidence of tattooing that dates all the way back to 3250 BC.'

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'Western tattooing has been a commodity-based art form for only about 140 years,' he explains, suggesting that one of the key drivers behind its commercialisation in the UK was King George V, who got a 'desirable' tattoo of a dragon on his arm during a trip to Japan as a teenager in 1881. To truly understand the trajectory of tattoos, he says we must dig deep into the history. However, Lodder insists it's important we frame tattoos as a historic 'medium' rather than a 'phenomenon', with the media often downplaying the artform's heritage by only narrowing in on the buzz of more recent popularity.

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He continues: 'The other day someone sent me an advertising leaflet from the British Post Office, which showed the father of a toddler with a visible full sleeve. There was a time where a relatively conservative organisation like the Post Office doing that would have created a backlash. 'It is a bigger deal culturally than it's ever been.' 'It's undeniable how visible tattooing is right now,' explains Matt Lodder, a senior lecturer in Art at the University of Essex who specialises in the history of tattoos.

Major fashion houses utilise famous tattooed celebrities to add an edge to their branding (the heavily tatted comedian Pete Davidson is the current global face of H&M) Virgin Atlantic allows staff to proudly show off their sleeves during long-haul flights and the US army has relaxed historic rules prohibiting visible tattoos on troops, citing 'changing social norms' as a reason. It seems to be a rite of passage for the world's biggest pop stars (Post Malone, Billie Eilish) and athletes (LeBron James, Lionel Messi) to have tattoos etched all over their bodies and faces, inspiring fans to do the same. What once might have been perceived as a subculture more associated with nomadic sailors and biker gangs than the middle classes is now an omnipresent mainstream force and $3bn-a-year industry. A 2015 YouGov poll suggested one-fifth of British adults had tattoos, while the most recent figures from Ipsos show that 30% of all Americans have at least one on their bodies (a figure that rises to 40% among the under-35s). Grab all links and full transcript on our website Ravenscott.Woo's comments reflect the cultural ubiquity tattoos are currently enjoying.

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